Thursday, October 19, 2006

Using quotes…

How much should I quote?

o The focus of your essay should be on your understanding of the topic. If you include too much quotation in your essay, you will crowd out your own ideas. Consider quoting a passage from one of your sources if any of the following conditions holds:

The language of the passage is particularly elegant or powerful or memorable.

You wish to confirm the credibility of your argument by enlisting the support of an authority on your topic.

The passage is worthy of further analysis.

You wish to argue with someone else's position in considerable detail.

oCondition 3 is especially useful in essays for literature courses.

oIf an argument or a factual account from one of your sources is particularly relevant to your paper but does not deserve to be quoted verbatim, consider

paraphrasing the passage if you wish to convey the points in the passage at roughly the same level of detail as in the original

summarizing the relevant passage if you wish to sketch only the most essential points in the passage

o
Introducing Quotations

o Quotations come from somewhere, and your reader will want to know where. Don't just parachute quotations into your essay without providing at least some indication of who your source is. Letting your reader know exactly which authorities you rely on is an advantage: it shows that you have done your research and that you are well acquainted with the literature on your topic.

o
oIn the following passage, the parenthetical reference to the author does not adequately identify the source:
n
The ancient Greeks never saw a need to justify wars that were waged outside the walls of the city state. "Hence we must turn to Roman antiquity to find the first justification of war, together with the first notion that there are just and unjust wars" (Arendt 12). Yet the Roman conception of a just war differs sharply from more modern conceptions.
oWhen you are making decisions about how to integrate quotations into your essay, you might imagine that you are reading the essay out loud to an audience. Without some sort of introduction, your audience would not even know that the statement about Roman antiquity was a quotation, let alone where the quotation came from.


How do I introduce a short quotation?

The following offers just one way of introducing the previous quotation:

The ancient Greeks never saw a need to justify wars that were waged outside the walls of the city state. As Hannah Arendt points out in On Revolution, "we must turn to Roman antiquity to find the first justification of war, together with the first notion that there are just and unjust wars" (12). Yet the Roman conception of a just war differs sharply from more modern conceptions.

oSince the quotation is relatively short, the brief introduction works.

oYou could, however, strengthen your analysis by demonstrating the significance of the passage within your own argument. Introducing your quotation with a full sentence would help you assert greater control over the material:

The ancient Greeks never saw a need to justify wars that were waged outside the walls of the city state. In On Revolution, Hannah Arendt points to the role the Romans played in laying the foundation for later thinking about the ethics of waging war: "we must turn to Roman antiquity to find the first justification of war, together with the first notion that there are just and unjust wars" (12). Yet the Roman conception of a just war differs sharply from more modern conceptions.

oIn these two examples, observe the forms of punctuation used to introduce the quotations. When you introduce a quotation with a full sentence, you should always place a colon at the end of the introductory sentence. When you introduce a quotation with an incomplete sentence, you usually place a comma after the introductory phrase. However, you can use a colon rather than a comma:

Arendt writes: "we must turn to Roman antiquity to find the first justification of war . . ."

oIf you are blending the quotation into your own sentence using the conjunction that, do not use any punctuation at all:

Arendt writes that "we must turn to Roman antiquity to find the first justification of war . . ."

oIf you are not sure whether to punctuate your introduction to a quotation, mentally remove the quotation marks, and ask yourself whether any punctuation is still required.

oFinally, note that you can deviate from the common pattern of introduction followed by quotation. Weaving the phrases of others into your own prose offers a stylistically compelling way of maintaining control over your source material. The following condenses twelve lines from Arendt's essay to fewer than three:

What Arendt refers to as the "well-known realities of power politics" began to lose their moral legitimacy when the First World War unleashed "the horribly destructive" forces of warfare "under conditions of modern technology" (13).

Handling Long Quotations

If your quotation is lengthy, you should almost always introduce it with a full sentence that helps capture how it fits into your argument. If your quotation is longer than four lines, do not place it in quotation marks. Instead, set it off as a block quotation:

David becomes identified and defined by James Steerforth, a young man with whom David is acquainted from his days at Salem House. Before meeting Steerforth, David accepts Steerforth’s name as an authoritative power:

There was an old door in this playground, on which the boys had a custom of carving their names. . . . In my dread of the end of the vacation and their coming back, I could not read a boy’s name, without inquiring in what tone and with what emphasis he would read, “Take care of him. He bites.” There was one boy—a certain J. Steerforth—who cut his name very deep and very often, who I conceived, would read it in a rather strong voice, and afterwards pull my hair. (Dickens 68)

For Steerforth, naming becomes an act of possession, as well as exploitation. Steerforth names David for his fresh look and innocence, but also uses the name Daisy to exploit David's romantic tendencies (Dyson 122).

(thanks to Purdue OWL)

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